Can you say hero?

 
He is losing, of course. The revolution he started—a half hour a day, five days a week—it wasn't enough, it didn't spread, and so, forced to fight his battles alone, Mister Rogers is losing, as we all are losing. He is losing to it, to our twenty-four-hour-a-day pie fight, to the dizzying cut and the disorienting edit, to the message of fragmentation, to the flicker and pulse and shudder and strobe, to the constant, hivey drone of the electroculture…and yet still he fights, deathly afraid that the medium he chose is consuming the very things he tried to protect: childhood and silence. Yes, at seventy years old and 143 pounds, Mister Rogers still fights, and indeed, early this year, when television handed him its highest honor, he responded by telling television—gently, of course—to just shut up for once, and television listened. He had already won his third Daytime Emmy, and now he went onstage to accept Emmy's Lifetime Achievement Award, and there, in front of all the soap-opera stars and talk-show sinceratrons, in front of all the jutting man-tanned jaws and jutting saltwater bosoms, he made his small bow and said into the microphone, "All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are….Ten seconds of silence." And then he lifted his wrist, and looked at the audience, and looked at his watch, and said softly, "I'll watch the time," and there was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn't kidding, that Mister Rogers was not some convenient eunuch but rather a man, an authority figure who actually expected them to do what he asked…and so they did. One second, two seconds, three seconds…and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier, and Mister Rogers finally looked up from his watch and said, "May God be with you" to all his vanquished children.


ONCE UPON A TIME, there was a little boy born blind, and so, defenseless in the world, he suffered the abuses of the defenseless, and when he grew up and became a man, he looked back and realized that he'd had no childhood at all, and that if he were ever to have a childhood, he would have to start having it now, in his forties. So the first thing he did was rechristen himself "Joybubbles"; the second thing he did was declare himself five years old forever; and the third thing he did was make a pilgrimage to Pittsburgh, where the University of Pittsburgh's Information Sciences Library keeps a Mister Rogers archive. It has all 865 programs, in both color and black and white, and for two months this past spring, Joybubbles went to the library every day for ten hours and watched the Neighborhood's every episode, plus specials—or, since he is blind, listened to every episode, imagined every episode. Until one night, Mister Rogers came to him, in what he calls a visitation—"I was dreaming, but I was awake"—and offered to teach him how to pray.

"But Mister Rogers, I can't pray," Joybubbles said, "because every time I try to pray, I forget the words."

"I know that," Mister Rogers said, "and that's why the prayer I'm going to teach you has only three words."

"What prayer is that, Mister Rogers? What kind of prayer has only three words?"

THE WALLS OF MISTER ROGERS' neighborhood are light blue and fleeced with clouds. They are tall—as tall as the cinder-block walls they are designed to hide—and they encompass the Neighborhood's entire stage set, from the flimsy yellow house where Mister Rogers comes to visit, to the closet where he finds his sweaters, to the Neighborhood of Make-Believe, where he goes to dream. The blue walls are the ends of the daylit universe he has made, and yet Mister Rogers can't see them—or at least can't know them—because he was born blind to color. He doesn't know the color of his walls, and one day, when I caught him looking toward his painted skies, I asked him to tell me what color they are, and he said, "I imagine they're blue, Tom." Then he looked at me and smiled. "I imagine they're blue."