By Dave Tuttle
Jane Seymour is a woman with a passion for life. Her career
has encompassed virtually all media forms-from movies and the
Broadway stage to books and art-yet she has no intention of
slowing down as the years progress.
In fact, Jane seems energized by the many opportunities that
lie ahead, including her participation in The Heart Truth,
a national campaign to raise women's awareness of heart disease.
As part of this campaign, Jane is teaming with the California
Pistachio Commission to create "Art for the Heart," four
original, heart-inspired paintings by Seymour that are being
sold as limited-edition note cards to support women's heart
health initiatives
Born in Hillingdon, England, and raised in Wimbledon by a British
obstetrician and his Dutch wife, Jane began training in dance
at an early age, and was just 13 when she made her professional
debut with the London Festival Ballet. That same year, she
entered the Arts Educational for dance, music, and theater
training, and danced with the visiting Kirov Ballet.
After suffering an injury, she turned to acting, first appearing
in Richard Attenborough's Oh, What a Lovely War, and shortly
thereafter portraying Solitaire in the popular James Bond film,
Live and Let Die. Catapulted to stardom by this role, she has
since played many different characters, including the title
role in the popular television drama, Dr. Quinn: Medicine Woman.
Not one to rest on her laurels, Jane continues to star in projects
for the small and big screen, including the upcoming movie,
The Blind Guy. She will no doubt be a creative force for years
to come.
Life Extension recently caught up with Jane at a Beverly Hills
bistro, where the conversation quickly turned to heart health
and longevity.
Life Extension: Your career has spanned
so many artistic forms. Is there a particular medium you like
the best?
Jane Seymour: I like each medium for its own reasons. There
is nothing like being live in front of an audience, but film
is great, too, because you can do multiple takes and have enough
budget to get things right. TV is also good because it allows
you to reach a wider audience. All in all, film is best because
you can do things properly.
LE: Tell us about your latest project. How is it different
from others you've done?
JS: My latest film, The Blind Guy, is about a kid born blind
who is attempting to find love. I play a comedic psychologist
who helps the kid when he falls in love with an East Indian
girl. It's a wonderful script that is different from anything
else out there. It's good to be playing comedy again, but I
look very different than I normally look. It's definitely a
character role.
LE: One of your most notable roles, Dr. Quinn, was very popular
because it speaks to the importance of family. What are your
views about different generations working together for a common
goal?
JS: One of the plusses of the Dr. Quinn show was that it showed
how every generation has its own role. This concept seems to
be lost for many people in society today, who see older people
as redundant. Every generation needs to realize how valuable
each person is and how fortunate we all are to have each other.
Each individual offers special thoughts and experiences, and
everyone needs to realize that. The show discussed contemporary
issues set in the 1870s. These issues are still valid today.
LE: You've been so active with your books and charitable events
that I doubt you will ever retire in the traditional sense.
What are your views on longevity and the need to stay active?
JS: My role model is my mother, who is 90 years old. She would
still be running a business if she had the chance, but she
has macular degeneration and arthritis, so she is unable to.
Still, she goes to the cinema and is always helping other-
people. She is so full of compassion. She believes that you
need to get involved and stay involved. We both believe that
the older you get, the more you have to offer society-not less.